You can only really buy the higher end models which run closer to $2.6K USD. Axe-FX II price is about $2200 USD, higher for the models with more memory like the II XL+. Metallica have also been using it for all the live sounds. Some main users of the effects unit are Alex Lifeson of Rush, John Petrucci of Dream Theater. Some people don’t think the added length makes a difference in capturing cab responses (me included), but that can be debated). It also has a PC editor, and its standard IRs are 2048b in length (~44ms, longer with the proprietary Ultra-res IRs. The Axe-FX II has far more effects and parallel routing options. The sound quality here can be debated, but I cannot hear a real difference, especially live or in a mix. It uses 24b 48Khz processing as opposed to the KPA’s 24b 44.1kHz. In general, people like the Axe-FX II better for its effects. It isn’t going to do a feature by feature comparison or cover detail on the controls, etc. This article will discuss more in detail a comparison in the methodology in how the sounds are achieved (as I have gleaned by reading the forums and articles). The Axe-FX II improved on things by making more models available, better modeling, more effects, headphone out and a USB audio interface. Tendency to favor more expensive models and phase out support of older models early.No more new firmware or update support for Standard and Ultra models.This doesn’t apply to the Ultra since no more development work is done for discontinued models. This is a plus as it fixes issues and adds more features, but a con if it adds those features and amp models you don’t care about. Constant change in firmware updates which change patch sounds.You really need the Axe-Edit software to edit the thing (old version since Fractal doesn’t support the Standard or Ultra anymore unfortunately) Work flow is not the easiest - going through all the menus and looking at the small LCD screen.However, I don’t use it as much these days. Overall, it has been pretty good and it gets great sounds. įor the Fractal, from a hardware perspective, the only minor issues have been the flimsy front-panel buttons and the noisy fan. ![]() I have owned an Axe-FX Ultra since 2008 and a Kemper from 2013, and have been happy with both. ![]() Both the KPA and Axe-FX are exceptional in what they do, but for me, one stands out and offers some unique capabilities. Two products have emerged at the top: the Kemper profiling amplifier (KPA), and the Fractal Audio Axe-FX. The digital modeling world has advanced tremendously in the past few years.
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